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private parts

Le Radici dell'Impero
Indice di variazione Goldberg n 1
Indice di variazione Goldberg n 2
Music for Klee n 1: ebbrezza
Music for Klee n 2: White Framed Polyphonically
Music for Klee my mother and the cat
Sbeat Too suite
Wind & sea part I

Release 01/11/2011

Le radici dell'Impero

Le Radici dell'Impero
F.: MP3 320 bpm/ W.: 10.31 Mb / T.: 1.52 min.

TapeLooping and tape effects Zim House between 1987 and sept. 1990
Master Mixing at Gamma Recording Studio Milano 29/04/1991.
Artwork IK studios and graphics by Delfino'89.
Soundtronics by SphaereTubes
Best to listen with headphones

SEE also Ambient n° 1

OFF-1003/4-FRSM 06/2008
16 Bit AAD
Release 19.02.09

Mr Goldberg

Indice di Variazione Goldberg n 1:
(Behind the Door)
F.: MP3 320 bpm / W.: 2.6 Mb / T.: 1.04 min.

Soundtronics by SphaereTubes
Artwork by IK Studios, photo by Astrid
Recorded at Milano between Dec. 1994 and april. 1995
Roland D 5 - Casio DA-2
Enginereed by Sphaere.
Best to listen with headphones
ADD

Release 19.02.09

Indice di Variazione Goldberg n 2

music by Chacondar
Soundtronics by SphaereTubes
Recorded at Atom Heart Studio between Dec. 2010 and Gen. 2011
Enginereed by Lello Pratt.
Best to listen with headphones
DAD

Release 19.01.11
OFF-1003/1-ZHM 20/01/2007

klee ebbrezza sphaeretubes

MUSIC FOR KLEE: n 1 Ebbrezza
F.: MP3 / W.: 2.92 Mb / T.: 1.10 min.

Soundtronics by SphaereTubes
Recorded at Filarota'S Recording Studio between April & Dec. 2008
Chacondar: voices and Eko SuperJunior keyboard for sounds and drums
Max Ciari: voices
Modified Klee's image by IK Studios. For more about Paul KLEE
Enginereed by Sphaere.
Best to listen with headphones

24 bit ADD
Release 19.02.09

Stupefacendo (od incantato) all'occhio dell'abaco,
il baluginio divento' piu' intenso.
L'ebbrezza che percorreva il corticale
giunse ai piedi, ma del tavolo;
e rotolando sull'orlo del vaso amplifico' gli spruzzi,
del supersensibile.
A quel punto, quasi presi dalla sorprendente presenza,
i materiali, oramai apicalmente entropici,
furono un mai nulla quasi profetico.
Ma, la ricerca di uno stile fu quasi vana.
Sai a volte l'alcool fa' proprio brutti scherzi !

§Stupefying (or amazing) at the abacus's eye,
the shining became more intense.
The thrill thats running on the cortex
reached the legs, but of the table;
and rolling on the mouth of the vase,
boosts the sprinkling of super perception.
Meanwhile, almost taken by a surprising presence,
the stuff, by then peaking entropically,
might've been never anything almost prophetically.
But, the quest of a style was almost vain.
U know sometimes alcohol makes us fools!

24.06.1991

OFF-1004/1-FRS 06/2008/S

A conversation with Steve around Klee, "Ebbrezza" and "Pulp Icon"

How do you see Klee's picture "Intoxication" becoming an example of a "pulp icon"?
I clearly hear the Eko and drums but no oval element.
Then, I am a bit puzzled by what you mean by pulp ("the strong, pulsing vision of 'pulp'), a pulp event" ("we tried to depict a distorted 'pulp' event", and "pulp icon" ("I understand that the picture is a 'pulp' icon").
To me, pulp refers to stories of action heroes (Green Hornet, The Shadow, early Batman, etc.) of the 1930s to 1950s, who mostly appeared in comic books and fought various villains. Thus, someone like The Phantom is a pulp icon.

The meaning of ‘pulp’. I understand that in English ‘pulp’ is used in the sense of ‘pulp fiction’. My idea about it is slightly different.
After Tarantino made Pulp Fiction, the term here also came to refer to music.
It is music that describes a high state of emotion, when the heart is
palpitating so hard it is on the point of bursting, perhaps because of
fear, narcotic excess, whatever. But also at that point when a person
is truly alive. Klee’s painting typifies that feeling and moment for
visually, and I have tried to create that in music.
So Klee’s painting, for me, represents an instance of that, and the piece is my way of synthesizing that hot, explosive idea of pulp musically. The head with two eyes and the two mouths implies a state of ambiguity. Is there a sailboat, a frying pan or butcher’s knife? Do you see a lit fire? Is there a flower or a half moon? Is it morning or evening? Is it the end of the day or the night?
The animal’s expression seems such that it’son the edge of crying at the top of its voice or is it singing its swansong?
Whatever, from my humble perspective it seems a perfect representation of the heat of a pulp moment.
It’s full of the knowledge of terror but also extreme doubt. Klee also refers in this painting to primordial fear and a state of shock.
Here, hopefully, reading the text not inserted in the music thus means that that there could be some assonance for us.

1.2011

Music for Klee n# 2:
White framed polyphonically
Painting by Paul Klee
Music by Sphaeretubes

Tommy: Sax contralto, Chacondar: modified electric piano yamaha CP80
Recorded at Atom Hearth Studio in august - november 2010 - January 2011
Engineerig: Marcello Prati, Assistant: Max Ciari

White is the first colour/no colour .
White is the wind.
White is the voice,
White is the sound,
White is the C

Release 11.1.11
OFF1004/4 AHS/01/01/2011

Music for Klee, my mother and the cat
Only on CD'R-OFF1003/1AHS2011

Recorded in april 1995 in Milano, with Eko Super Junior Keyboard on
a tape cassette deck. Mastered at Zim House in 2007.
The piece was born out of a demo recording, and was first included in
Wind’s Songs Recording Sessions, but was discarded because we haven’t
been able to reproduce the particular sound that creates a sense of
heated intimacy and which seems to reflect Klee’s painting in the
studio.
OFF-1003/1-ZHM 20/01/2007

hhh

SBEAT TOO

Only on CD'R-OFF1003/1AHS2011

Part I: Sbeat In
Recorded at Zim House between april and sept 1990.
Chacondar; drum, Sphaere loops and egineerings

Part II: Sbeat Too
Recorded at Zim House between april and sept 1990.
Rec with Tascam tape 4tracks, Casio DA 2, mixer Steelphone 12 ch,
Chacondar; hit hat, cymbals, percussions, electronics,
Halp: Guitars, Fender Rodhes piano, electronics,

Part III: Sbeat out
Recorded at Zim House between april and sept 1990.
Chacondar; drum,

Part IV: It's only another song

Release 26-05-2010

Recorded at Zim House in sept 1990.
Additional recordings at Filarota Studio betwen december & march 2009
Additional recordings and mixing at Atom Heart Studio 05-2010
Chacondar; drum, percussions, tapes, electronics,
Max Ciari, Athenomis, Chacondar: Voices

Soundtronics by SphaereTubes
First Master at milano between Dec. 1994 and april. 1995
Enginereed by Sphaere.

OFF-1003/4-ZHM 20/01/2007
AAD

Clouds (Wind and sea part III)

Time - 4.15 min.

Superpolar: electric guitar & zippo
Chacondar: drums, percussions,
Lello Pratt: programming & engineering , flatmax special

Recorded at COMA Recording Studio in april 1994, with Tascam M 16,
Engineered by Lello Pratt; Mixed by Justlink and Lello Pratt;
Mastering Sphaere in Milano, via botticelli 18, 1994 & Zim House in june 2007
Images by IK Studios & Hypgnosis III 1991
ADD

OFF-1003/1-ZHM 06/2007

Home Music for moggies.
Side one assembled between 1990 and 2010. Original records from 4reel tapes.
Side two from 2010 and so on.
Many Thanks to: Carol King, Steve Ellis, Lagash, Masaaki,
Photo by SimoKo. Moggie in 1983. Artwork IK Studio.
OFF1014/4/FRS12/06/2008/A
CD'R OFF1003/3AHS2011